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welku/m to the wurld ov
kollizh/enizm |
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throw an\uthr spannr n de
werkz![]() |
stutter started as an improvisational music collective based out of
Louisville, Kentucky USA in the nihilistic days of late 1970's punk /
industrial music and DIY aesthetics . influences included
electro-acoustic, progressive, free jazz improvisation, electronic,
psychedelic, musique concret, new music, 'krautrock' and industrial noise,
as readily as Fluxus, Dada and Futurist sound art experiments and
performance art . many of the founding band members had first collaborated
in Louisville's underground arts collective ARF [ Artist Resistance Front
] studio and live performances bore out a strong rhythmical composition peppered with Beat-influenced, stream-of-consciousness lyricism, itself tagged with ready wit and complex wordplay . traditional 'rock' instrumentation was subverted through the use of tape loops, early turntablism efforts, non-musicianship, and oblique strategies . performances were often punctuated with improvisational movement, video projections, and avant guarde visual stagings
today, the primary players of the band are scattered across the united
states yet the potential for mail- and internet-collaborations virtually
keeps the band alive over the distance . core members did
re-convene in Louisville for live performances in 1996 and 1997 .
and Jeff Jobson has contributed audio resources to JS Adams' continuing BLK
w/ BEAR solo project |
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>> Daddies and
Dinosaurs [1981; unreleased Hit-a-Note studio sessions] [titles] objects hidden / objects revealed . those persistent questions . argue / don't argue . sprouting wings . you wore daddy out out . [the best laid plans of] mice and mice . content and purpose . blue with a vengeance . white layers . say goodbye [personnel] JS Adams . Jeff Jobson . Steve Roberts . Derrick White . Eve Spencer . David Thomas . EA Winkler . John Timmons . Bill Parrish
>> collisions / dialogues
>> Watching Animals Drive
>> SO FA
>> Broken Snakes
>> Exploded View |